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About The Axiom Of Choice

The Axiom Of Choice is a source of subjective and objective information about progressive rock music and related genre's. The pages are maintained for archival purposes by Jurriaan Hage and are the direct descendants of the Jurriaan Hage's Progressive Rock Pages as they came into existence around 1994. For more information on the history of these pages go right here. These pages are now relatively fixed, because I decided to freeze the site due to lack of time. It still contains lots of information about cd's released between 1993 and 2006 in progressive rock and assorted adjacent genres.

So what is progressive rock?

Now that is a difficult question to answer. Although I have a pretty fixed idea of what is prog and what is not when I hear the music, I do still sometimes run into conflicts with myself over this. A definition is hard to give especially since the term does not describe the meaning of the term at all (or should I say anymore?). Progressive rock is not music that is by definition on the fringes of what is new, experimental and challenging or anything. Most of the music in this genre has come from music that was once new and challenging (we are talking the early seventies here).

Some time ago there was a German progressive rock magazine that called itself Sophisticated Rock Magazine and maybe this is a far better name for the style of music on these pages. What counts is that the simple verse-chorus format and the 3-4 minute single length is not enough for some artists. Some bands want to consider also atmosphere in their music, some want their music to be dynamic, some want to incorporate breaks, tempo changes and varying signatures and all of that leads to longer, more elaborate song structures. Whether these bands succeed in this, is a totally different question.

Complex music also gives rise to more complex and inventive arrangements and often the use of "special" instruments. Basically however the line-up of a prog band consists of guitar, drum, bass and keyboards, usually with but sometimes without vocals. Especially the role of keyboards in symphonic rock (a subgenre of progressive rock) is of large import. Instruments like the Hammond B-3 organ and the Mellotron have a legendary status. It seems that a band using these instruments a lot can do no wrong in the eyes of many reviewers.

Sicne the nineties progressive rock has hardened, as almost anywhere else in the music, mostly due to the advent of progressive metal. I also devote part of my pages to that "subgenre" involving bands and derivatives of bands such as Queensryche, Dream Theater, Savatage, Fates Warning and Rhapsody. However, for me to like this branch of music I demand not only complexity in the music, but also melody. There is also a slew of bands since the 2000's like Leprous, Tesseract and what have you that stretches the boundaries even further.

It is my opinion that the best thing to do is to name a number of artists that are more or less responsible for the genre, although many of these artists will not be of the same opinion: ELP, Genesis, Yes, King Crimson, Gentle Giant, Henry Cow, Magma, Van Der Graaf Generator, Marillion, Rush, Saga, Soft Machine are to me the most well-known advertisers/originists of the style. If you want to have some more recent successful bands in the genre, think of Dream Theater, Flower Kings, Spock's Beard, IQ, Pendragon and Ayreon. Of course, many of the older bands also still exist, but compared to their so called "golden era" many changes have occurred: some bands have continued to renew and refresh themselves, some are bringing watered down versions of their old music and some have plain continued doing what they do best.

Thanks to the following

Michael Zeisel and Roberto Lambooy are I think the main additional contributors to this site. Michael for developing the look and the artwork (don't blame him though for keeping the looks as the site has had for more than a decade) and Roberto Lambooy for his participation in sitting in with quite a few of the interviews. In addition, Roberto is also my driver to gigs and such. Because of these pages I still have not managed to start getting a driver's license. Later on, he also wrote quite a number of reviews for the site.
© Jurriaan Hage