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Artist: Xen
Title: 84000 Dharma Dreams
Label: Inside Out IOMCD 041
Length(s): 48 minutes
Year(s) of release: 1999
Month of review: 06/1999

Line up

Paul Craddick - drums, bass, guitars, keys
Ted Leonard - vocals
Doug Ott - guitars, bass
Mike "Benignus" Geimer - programming
Bob Madsen - bass, guitar
and includes a few more guests.

Tracks

1) She Plays 4.43
2) Psycho Pilots 5.47
3) Prettyzntenuf 4.47
4) Find A Way 5.39
5) Red Letter Day 5.55
6) Birthright 6.10
7) Psychedelica 5.54
8) Middle Ground 5.25
9) Existentialism 4.25

Summary

Well, you might have seen from the line-up: this is Enchant with a little help from their friends. However all music has been written by Craddick and they may indicate why this is released under another title. Or maybe it is the music?

The music

Since the vocals of Leonard dominate the music of Enchant and his vocals are present here as well, the music reminds firstly and foremostly of Enchant. However, the sound is "less progressive" in the strict sense. Intelligent songs might be a better description, with plenty of variation it has to be said. All in all Enchant is also not that typically progressive, but I think Xen is a bit better adapted for a larger audience. It may be that the music is less melodic than Enchant and more rock directed . Psycho Pilots combines the somewhat late-Rush-like vocals with some rather heavy rhythm guitars. The hevay guitars with the non-heavy vocals almost imply King's X and I think in approach and progressiveness the bands come close. I do not mean that the band itself sounds like a copy of King's X, however. Prettyzntenuf is a rather funky track, although the chorus is more in the Enchant style. The melody is good and Leonard shows the back of his tongue here. Find A Way is rather quiet track. Nothing much happens here and this songs reminds quite a lot of Enchant. This is different on Red Letter Day. The melodic, drawn out vocals are of course reminiscent of Enchant, but the music is quite heavy and in fact it sounds quite original: heavily played bass and noise in the back. The song is also very percussive making for a strong groove. Birthright and Psychedelica add little new to the music, except maybe the spacey guitar in the latter. The music stays strongly song directed. Middle Ground opens with the combination of acoustic guitar and the Enchant sound, but later on the electric guitar takes over. The solo is not very melodic. In Existentialism we here a good melody sung by Leonard, friendly acoustic guitar and some mellotron. A naked song and impressive in its stillness. I can't help but wonder what an orchestral breaking loose would have done to it, it might have spoiled the effect. Who knows.

Conclusion

A hard one to judge. The music on this album may be a little more mainstream than Enchant, but many of the characteristics are still there. The music can sound more varied since the strength of Enchant lies in the song and the melody and not in variation. On the other hand I like Enchant much better, because of their more crafty songs and better melodies (and it can very well be because of the more proggy sound, who knows). Still, I think everybody who likes Enchant will want at least to take a listen (a big fan of Enchant I know could hardly distinguish the two bands).
© Jurriaan Hage