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Twelfth Night - Live And Let Live

Artist: Twelfth Night
Title: Live And Let Live
Label: Cyclops CYCL 050
Length(s): 76 minutes
Year(s) of release: 1997
Month of review: 06/1993 and 01/1997

Line up

Andy Revell - guitars
Geoff Mann - vocals
Brian Devoil - drums
Clive Mitten - bass
Rick Battersby - keyboards

Tracks

1) The Ceiling Speaks 8.26
2) The End Of The Endless Majority 3.18
3) We Are Sane 12.04
4) Fact And Fiction 5.27
5) The Poet Sniffs A Flower 4.03
6) Sequences 17.14
7) Creepshow 12.06
8) East Of Eden 5.14
9) Love Song 8.29

Summary

Twelfth Night is neo-progressive outfit of the same calibre as IQ, Marillion and Pendragon, but is probably not as widely known. The reason for this is probably that the band did exist for a far shorter period and also that part of that period they were supposed to become the new Duran Duran instead of playing their original version of progressive rock. Here's my view on their live album, just released by Cyclops (after SI Music did this in '93)

The music

Although the artwork is a little different (less information this time), the music on the CD is exactly the same. We have here a CD that is a hallmark in neo-progressive and in my opinion something that everybody into progressive rock should have. Although some people might find fault with the playing and there is no production, this is really live, the music is so full of energy and passion, that it becomes hairraising. For instance, the part of Sequences where we have "the station platforms full of stretchered flesh and bone" (I think this imagery is from Erich Maria Remarque's Im Westen Nichts Neues) is of exquisite beauty. The singing of Geoff Mann lends most passion to the music, but he can also be fun as for instance in his anti-political speech in We Are Sane and his hilarious Cold War speech in Fact And Fiction. Religion is also a very important subject with Twelfth Night (or more with Geoff Mann, who left Twelfth Night, after the farewell concert found on this CD to become a preacher. Later he found it possible to combine this with making music) and thus the lyrics sometimes reflect this (The Ceiling Speaks, The Carpenter to which he refers in Love Song, to name but a few), but Geoff Mann als manages not to sound moralizing, but just plainly giving his opinion of things, ridiculizing it somewhat and thus is able to bring over the message.

Conclusion

The music of the band is very energetic, not for nothing were they once found on a sublabel of Roadrunner, but the music is very much in the progressive vein and in no way comparable to the progressive metal of today (I wish they were more comparable to Twelfth Night).

Anyway, you might think I'm biased here, because I like them so very much, but hey with such good lyrics (same class as Fish, but more generalities and less personal), an energetic combination of bass, drums, keyboards and a very specific guitar sound and moreover the passion to make it sound true make this one of the gems of the eighties and also something worth having in the nineties.

Read my fingers: if you do not have it, GO GET IT.


© Jurriaan Hage