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Jump - The Myth Of Independence
| Artist: | Jump |
| Title: | The Myth Of Independence |
| Label: | Cyclops CYCL 027 |
| Length(s): | 53 minutes |
| Year(s) of release: | 1995 |
| Month of review: | 12/1995 |
Line up
Pete Davies - guitars
Steve Hayes - guitars
Mo - keyboards
Andy Barker - drums
Hugh Gascyone - bass
John Dexter Jones - voice
Additionally:
Mark Kelly - production and piano on Valediction
Tracks
| 1) | Tower Of Babel | 7.20
|
| 2) | Princess Of The People | 5.12
|
| 3) | On The Wheel | 3.56
|
| 4) | Heaven & Earth | 3.41
|
| 5) | Valediction | 4.20
|
| 6) | Runaway | 1.58
|
| 7) | Keep The Blues | 5.26
|
| 8) | Blind Birds | 5.34
|
| 9) | The Shallow Man | 4.39
|
| 10) | Drivetime | 4.03
|
| 11) | On My Side | 6.48
|
Summary
It's one of those CDs that has to be reviewed, or has it? I mean Kelly is
playing on it and producing it, reason enough for many people to just buy
the thing. Really, a bit sad for other bands that have to work to get
just that little bit of attention. Well, let's see what they made of it and
how it compares with for instance Enchant, Jadis or Arrakeen.
The music
Hard album to review I think, because Jump has at once many faces and only
one. They can be ironic in tracks like Tower of Babel and Princess
of the People, serious like in On my Side, lyrical in Keep the Blues and
critical like in Runaway, On the Wheel and Drivetime. They can even write
a lovesong or two.
Conclusion
Musically, it's not very progressive I think. Musically they tend to
Grey Lady Down, because of the vocals, to Marillion (like in the first
track which is quite like Charting the Single), and Dire Straits (the use
of organ, the guitar at times and also the laid back music they make).
The songs are mostly mid-tempo and I have to admit don't really shine or
captivate. Most of the time, the tracks pass on without much notice.
A notable exception to this is Keep the Blues, which is rather powerful and
also the more folky tracks like Runaway (reference to Shadowplay) and
some of the more atmospheric parts in which they remind me of
Clutching at straws era Marllion. It's not entirely straightforward, but a lot
less progressive than most the readers here would want, I think.
© Jurriaan Hage