| Artist: | Arena |
| Title: | Welcome To The Stage |
| Label: | Verglas VGCD 009 |
| Length(s): | 73 minutes |
| Year(s) of release: | 1997 |
| Month of review: | 10/1997 |
| 1) | William Tell Overture | 3.10 |
| 2) | Valley Of Kings | 10.07 |
| 3) | Out Of The Wilderness | 6.46 |
| 4) | Midas Vision | 4.45 |
| 5) | The Healer | 4.51 |
| 6) | Sirens | 13.57 |
| 7) | Medusa | 4.22 |
| 8) | Welcome To The Cage | 4.33 |
| 9) | Jericho | 7.01 |
| 10) | Solomon | 13.55 |
Opening with the well-known William Tell Overture (Arena's La Gazza Ladra and both are Rossini's) we get the first major epic, Valley of the Kings. This is a rather dark track that opens very recognizably, is in low key during the verses, but has some energetic keyboardsolo's as well. After a dark rumbling "silence" we get to the next part of the song with nice guitarwork and chorals on the keyboards. The vocals by Wrightson in this second part are quite expressive. Then follows Out Of The Wilderness that opens with a sequence of small solo's on keys, bass and guitar and features some nice solo's on guitar and keyboard that as always with Arena has a sort of "saturated" sound to them. The intermezzo reminds me a little of Sequences by Twelfth Night. When Wrightson goes into the higher registers he has the tendency to whine a little. But the song contains some great melodies, and although it's all wonderfully polished, I still like it a lot. With going into much detail with the rest of the songs, The Healer sounds a little more adventurous than the other songs, with some more unstructured parts and a lot of aggression in there. Still, I'm not that fond of the chorus. This also holds for the verses of Medusa, but the guitar work is nice.
Also the album features the euphoric Jericho, the high speed Welcome To The Cage and as high points the epics Sirens and Solomon. All excellent, but also obvious choices.
With the CD comes an extensive booklet with lots of photo's and a list of instruments used. But, ehm, Clive, Jack Daniels and diet Coke... do you see the contradiction here?